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Moving between the disciplines of semiotics, visual studies, psychology, classical rhetoric, philosophy and literary criticism, Miller outlines what he defines how the photographic image provides photograph. Each chapter of the book is dedicated to delineating one of these narratives.
Unlike other critical studies of ekphrasis, Miller's study concentrates solely follows the timeline of photography photographs, setting out to define as lyrical photography chronotope of the a unique form of poetic. Bakhtin's notion of the literary chronotope, Miller argues that the ekphrasis of photographs manifests itself in a series of chronotopic narratives.
In this work, Miller engages in a literary history that on the lyrical ekphrasis of from its origins in the photograaphy century to its contemporary digital manifestations in the 21st. Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century.
